Berühmtestes Beispiel dieser riesigen Skulpturen ist die begehbare weibliche Nana-Skulptur Hon-en katedral, die sie 1966 gemeinsam mit Jean Tinguely und Per Olof Ultvedt im Moderna Museet Stockholm aufbaut. Hon – en katedral (Swedish: "She, a Cathedral") was an art installation that was shown at the Moderna Museet in Stockholm in 1966. Texts in Swedish and English. hon-en katedral. ”Hon - en katedral” was a collaborative work between Niki De Saint Phalle, Jean Tinguely and Per Olof Ultvedt. Im Jahr 1971 heiratete Tinguely seine zweite Frau, Niki de Saint Phalle, mit denen er auf mehrere künstlerische Projekte wie das zusammengearbeitet Hon - en katedral oder Le Cyclop.

und eine große Auswahl ähnlicher Bücher, Kunst und Sammlerstücke erhältlich auf ZVAB.com. ”Hon - en katedral” was a collaborative work between Niki De Saint Phalle, Jean Tinguely and Per Olof Ultvedt. Den hade 80 000 besökare under utställningstiden 4 juni–9 september 1966. von Niki de Saint-Phalle, Jean Tiguely, Per Olof Ultvedt. A detailed work covering the exhibition ”Hon - en katedral” (4 June - 4 September 1966) including its pre-history and construction, ending with the demolition of the piece. Den hade 80 000 besökare under utställningstiden 4 juni–9 september 1966. Search for Library Items Search for Lists Search for Contacts Search for a Library. Hon - en historia : [Dokumentation über die Ausstellung . Jean Tinguely starb 1991 im Alter von 66 Jahren in Bern Krankenhaus …

The interior of the sculpture was a museum and visitors entered the woman between her legs, through the vagina. The interior of the sculpture was a museum and visitors entered the woman between her legs, through the vagina. hon - en historia / hon - en katedral. with the help of friends and museum’s collaborators, ‘HON — en katedral' consisted of a participative environment in the form of a gigantic pregnant woman (23.5 metres long, 6 metres high, 10 metres wide) reclining on her back. The sculpture was 25–26 meters long, about 6 meters high and 11 metres wide. This thesis aims to uncover an intricate relationship between Cold War politics and culture in Sweden during the mid-sixties by examining discourses surrounding a sculptural assemblage entitled Hon-en katedral [She-a Cathedral]. Benoît Antille looks at ‘HON—en katedral’, Pontus Hultén's exhibition for the Moderna Museet that aimed at widening art audiences—anticipating, in the process, many of the unresolved problems that appear in today's socially engaged works. Search.

Hon was a 23 meter long, 6 meter high, and 10 meter wide sculptural assemblage in the form of a giant and pregnant female figure. Email This BlogThis!

‘HON — en katedral' that they imagined ‘a form of theatre that would provoke the audience into taking part in the performance’.6 Like Allan Kaprow in the United States, they were experimenting with ideas of happenings and environments in order to blur the boundaries between art and everyday life and to build a kind of theatre without a stage, where visitors participated as actors. The exhibition consisted of a sculpture of a colorful pregnant woman lying on her back with her legs wide apart.

Benoît Antille looks at ‘HON—en katedral’, Pontus Hultén's exhibition for the Moderna Museet that aimed at widening art audiences—anticipating, in the process, many of the unresolved problems that appear in today's socially engaged works. Wirkungsvoll ironisiert die Künstlerin das traditionelle Verständnis des weiblichen Aktes in einer überbordenden und grellbunten matriarchalischen Kult-Feier. Des gros seins, un ventre de femme …

hon-en katedral Posted by April Rose at 12:00 AM.

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